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栗宪庭:符号生活(中英文)

2012-09-29 00:32 来源:中国南方艺术 作者:栗宪庭 阅读

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符号生活个展场景 2006 关奉东


    关奉东,1985年10月21日生于西安,2004年高中毕业,高中毕业时曾经通过清华美院的专业考试,后来放弃。于2004年到2006年在上海工作和画画。2006年夏天到北京生活和画画。

    Guang Fengdong,born in 21st October 1985 in Xi’an city. Graduated from high school in 2004.He was approved in professional exams of Fine Arts College of Tsinghua University but he quit it. He was working and drawing in Shanghai from 2004 to 2006. He moved to Beijing in 2006

符号生活
Symbol Life

    往日的某街某巷,张家李家,是靠街巷和院落的形象特点区别的;现在你住在高楼林立的城市,你对自己住宅的辨认,不但需要路标,而且三单元506,不比五单元708更有特点,无论找人,还是回家,都要门牌号码清楚。现代消费,需要的主要不是人对货物的判断力,而是对商标和品牌的了解。所有现代交通,飞机,火车,要是你看不懂标志,你就两眼一抹黑。尤其上了高速公路,你稍不留心路标,就会眼看着自己的目的地,无法接近目标。……,符号和标志,成为现代类型化和标准化环境的对应物,即人的生存――吃喝拉撒睡的每一个环节,每一种使用品的标准化生产,产生了一整套相应的符号标识系统,让人从传统的形象辨识,转入符号的辨识系统。现代人离开符号,几乎生活不下去。

    The old street and lanes,house and gardens in the old time,is distinguished by the visual characters. Now if you live in the dowtow,to recognize your own house,you need the road guide,but your house Rm 506 at Dr 3,not so different from the Rm 708 at Dr 5. To find someone,or back to home,you have to remember your room number. The modern consume,what you need is not the judge to the goods,but depend on your understanding to the brand and grade. To all the modern communications,like fight,train,if you don’t understand the symbol,you can’t find your way. Especially when you are in the express way,you will lost your target if you don’t care the symbol very much. Symbol and sign,become the counterpoint of modern types and standardization. Each tache of the ordinary livings,every production,produce a corresponding symbol. The society change from the tradition visual identification to symbolic identification. The modernist can’t live without symbol.

    标准化环境同时创造了人的标准化,消费文化和时尚创造了一代又一代的符号化人。现代化也许更真实地把人的无意义,显示成符号化的生存状态。或者说人类现代化的最大创造,就是逐渐把人类个人的生动性,变成消费程序中的一个数码式的信息。“人情淡漠,世态炎凉”是一句中国古俗语,而现代化比传统更没有人情味。个性和情感的消磨,忍受单调的耐力,也许是关奉东画这些画的基本冲动,他的作品,造型、色彩和劳作过程都极其单调,而且他把简单重复得令人目眩。与前几年我做的《念珠与笔触》中的作品相比较,关奉东的作品更没有绘画性,更不具有笔触意味,更难有观赏性,几乎不产生任何一件传统意义上的,耐人寻味的,被称为作品的独幅画。关奉东的作品就是他的生活――符号化的生存状态。重复的黑白格子,似乎是关奉东走过的斑马线。重复的脚印造型,似乎是关奉东以往甚至以后人生的踟蹰足迹……

    The standardized environment create the standard of person at the same time. Consuming culture an vogue create generation’s of symbolic human. Modernization somehow display the meaningless of human as the status of symbolic living. Or we can say, the greatest creation of human modernization is gradually change the vitality to symbolic message in consumption process.Human relationship faint, and the Old Way Changes. This is an old Chinese saying. But modernization are bad than tradition.The war fown of personality and emotion,bearing boring stamina, it may be the basic urge of these Guang Fengdong’s paintings. His works,sculpt,color and process are so nonotone, even simply repeating the briefness. Compared to my previous exhibition Prayer Beads and Brushwork, his work are even less painting, less feeling from brushworks, and hard to enjoy. It is hard to find a single painting in traditional meaning. His works is just his life,the symbol life. The repeating black and white grid are just like the zebra line he walk through. The repeated footprint sculpt means the hesitated life before and even since of Guan.

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